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Olga Pashchenko - Dussek, Beethoven & Mendelssohn - Transitions (2013) [24-44]

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Torrent File Content (17 files)

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Music : Classical : Lossless
 
 

24bit-44.1kHz FLAC

Tracklist:

1. Sonata in F-Sharp Minor, Elégie harmonique sur la
mort de son Altesse Royale le Prince Louis Ferdinand de Prusse, Op. 61: I. Lento patetico - Tempo agitato 11:14
2.
Sonata in F-Sharp Minor, Elégie harmonique sur la mort de son Altesse Royale le Prince Louis Ferdinand de Prusse, Op.
61: II. Tempo vivace e con fuoco quasi presto 05:32
3. Seven Bagatelles, Op. 33: I. Andante grazioso, quasi
allegretto in E-Flat Major 03:55
4. Seven Bagatelles, Op. 33: II. Scherzo (Allegro) in C Major 03:15
5. Seven
Bagatelles, Op. 33: III. Allegretto in F Major 02:03
6. Seven Bagatelles, Op. 33: IV. Andante in A Major 03:37
7. Seven Bagatelles, Op. 33: V. Allegro ma non troppo in C Major 03:39
8. Seven Bagatelles, Op. 33: VI.
Allegretto quasi andante in D Major 03:20
9. Seven Bagatelles, Op. 33: VII. Presto in A-Flat Major 02:05
10.
Sonata No. 32 in C Minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato 09:42
11. Sonata No. 32 in C
Minor, Op. 111: II. Arietta: adagio molto, semplice e cantabile 16:48
12. Variations sérieuses in D Minor, Op.
54 11:48

This first album of the Russian pianist, harpsichordist and organist Olga Pashchenko –
student of Alexei Lubimov and Richard Egarr; prize winner of several international music competitions (‘Schloss
Kremsegg’ for fortepiano in 2011; ‘Hans von Bulow' for piano in 2012…) depicts the rebellious
and yet very tender metamorphosis between two ‘states’ of art – Classical and Romantic. Dussek,
Beethoven, and Mendelssohn stand at the crossroads of the two styles; demonstrating how the transformation to
Romanticism was subtle and hidden in the smallest details of the well-composed, transparent architecture of the music of
the Classical period. 

The two original instruments (Conrad Graf 1826 & Donat Schoeffstoss 1812) chosen
with care by Olga Pashchenko are in possession of a great clarity of sound, and uncover immense timbral possibilities,
allowing one to play with the rhetoric as much as with the colours.

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